Laptop Recording Studio Logbook
EJECT:STOP:PLAY:REC:F.FWD
09-04-22
BASS
My bass patterns are pretty simple. The track I am working on is a 12 bar Blues standard, so I have taken my cues from that genre. I began with an octave step moving through 12 bars with a I V IV shift. I knew the vocal and keys would fill out the melodic space, and didn't need to get too carried away with a busy bassline. I wanted it to be straight and driving in this slomo dancey vibe.
I had intended on using my Sequential Split-Eight analog synth to get a bass sound. However, I started playing around in soft synths and never went back to the hardware.
I added a DX7 using the same midi notes. The DX7 patch adds some stereo width, some more bottom end, and some delay, hopefully giving it a bit of movement.
I used a simple Logic ESP bass patch and tweeked the resonance to make it a bit more gritty. This I sent through to the vocalist to practise the track and get a feel for the timing I was after.
I added this 8 bar Juno line to give the bass section a bit of funky swing and interest.
Here is the bass and beat together.










Reflections
In putting this blog together this week I have realised I would like to change the tempo of my track. I had initially set out to compose at 105bpm. This was the tempo of the toppling vocals I want my vocalist to sing. However creating the baseline and working on the drum pattern, I feel it needs a bit more speed. This seems to lift the energy of the walking blues bass feel into a more slomo dancey vibe. It is also closer to the inspiration tracks I have been referring to. I also need to pay closer attention to the bass frequencies. My monitors are a pair of M-Audio BX5s, they are a nice little powered speaker. However I know they have a lot of colour in the low frequency range to compensate for their small size.